Daniel Arlington (
more_magic) wrote2020-10-17 05:08 pm
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old and forgotten, this frozen sand
Even as a child, Darlington understood how singular, how private, a place Black Elm was. His world was its crumbling towers and vast hallways, the ever-changing, ever growing gardens that surrounded the house on all sides, its only inhabitants himself, his grandfather, and their housekeeper Bernadette. It was all he needed, a magic he didn't have to seek to understand because it was always there.
And when things changed, when Daniel Tabor Arlington III was dead and buried and the care of the house fell to him, it was that long-practiced secrecy that kept him safe. He bolted the doors after his parents left, learned to survive in bits and pieces, selling what he could to ensure that the house--and himself, though the wearier he grew, the less important that seemed--would make it through another day, another winter, another year. Having so rarely invited friends over before, it didn't seem strange that even those scant invitations stopped, or turned into far more polite alternatives: the public library, staying late after school, refusing a ride back to Westville with a gracious smile and a thanks, but I have my bike. With no one to see the house standing empty, there were no questions he had to field about what a teenaged boy was doing all on his own, about where his parents were (New York, as always) or when they would be back (never, if he could help it).
Darlington had no problem with lying, not really, but avoiding it entirely meant he couldn't be trapped, that his secret was safe--for another day, another winter, another year.
The desperation of it faded with time, though even then he was sparing with when and to whom he showed Black Elm. It had become an outgrowth of his heart and his soul, the one thing tethering him to the world. Dean Sandow had seen it, of course, and Michelle, an act of trust towards the people introducing him to another kind of magic. Alex's invitation had been slightly forced, like so much else about knowing her there and then; both of them drenched in a thunderstorm and not that far from the house, its vast fireplace just waiting to be put to work.
That hasn't changed much in Darrow, now that Black Elm is here. Alex has opened the doors to far more people, had friends over or merely extended an invitation for some future time, while he still waits and thinks, wanting to be sure in some way he can't define. It's something that should change, and that knowledge pushes him to pick up his phone and give Caleb a call. There are repairs to be done, that perpetual fight against age and time Darlington's been aware of his whole life, and having another set of hands will only make it easier. They make plans for that weekend, a Saturday afternoon that promises to be clear and just a little chill, exactly the kind of autumnal weather he's always loved. As he waits for Caleb's knock on the door, Darlington wanders through the ground floor of the house, room by room.
And when things changed, when Daniel Tabor Arlington III was dead and buried and the care of the house fell to him, it was that long-practiced secrecy that kept him safe. He bolted the doors after his parents left, learned to survive in bits and pieces, selling what he could to ensure that the house--and himself, though the wearier he grew, the less important that seemed--would make it through another day, another winter, another year. Having so rarely invited friends over before, it didn't seem strange that even those scant invitations stopped, or turned into far more polite alternatives: the public library, staying late after school, refusing a ride back to Westville with a gracious smile and a thanks, but I have my bike. With no one to see the house standing empty, there were no questions he had to field about what a teenaged boy was doing all on his own, about where his parents were (New York, as always) or when they would be back (never, if he could help it).
Darlington had no problem with lying, not really, but avoiding it entirely meant he couldn't be trapped, that his secret was safe--for another day, another winter, another year.
The desperation of it faded with time, though even then he was sparing with when and to whom he showed Black Elm. It had become an outgrowth of his heart and his soul, the one thing tethering him to the world. Dean Sandow had seen it, of course, and Michelle, an act of trust towards the people introducing him to another kind of magic. Alex's invitation had been slightly forced, like so much else about knowing her there and then; both of them drenched in a thunderstorm and not that far from the house, its vast fireplace just waiting to be put to work.
That hasn't changed much in Darrow, now that Black Elm is here. Alex has opened the doors to far more people, had friends over or merely extended an invitation for some future time, while he still waits and thinks, wanting to be sure in some way he can't define. It's something that should change, and that knowledge pushes him to pick up his phone and give Caleb a call. There are repairs to be done, that perpetual fight against age and time Darlington's been aware of his whole life, and having another set of hands will only make it easier. They make plans for that weekend, a Saturday afternoon that promises to be clear and just a little chill, exactly the kind of autumnal weather he's always loved. As he waits for Caleb's knock on the door, Darlington wanders through the ground floor of the house, room by room.
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The breaker box is in the space beneath the stairs, and Darlington goes to it, fiddling with the latch on the door until it pops open. Taking his phone from his pocket, he pulls up Caleb's number and dials.
"The switch should be right next to the door," he says when Caleb picks up. "See it?"
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Darlington laughs when Caleb does, his phone tucked between his face and his shoulder as he flips the breaker off and swaps out the old fuse for a new one. "I appreciate it. God knows Alex would be far more likely to send me back through the Veil than she would you." He mimics, lovingly, her flat Valley tones. "It's your fault for being stupid and getting yourself killed, Danny. Mors irrumat omnia."
After turning the breaker back on, he takes his hands away from the fusebox entirely. "Go ahead."
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"Okay, so in theory that did exactly what you wanted it to," he offers. "Which is hopefully that, like, three different lights turned on at once."
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"Nope, that's exactly what I was hoping for," he says. "Thank god."
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"Where the fuck's your dining room table, Dude?" he asks, just now realizing it's... not there.
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He'd been heartbroken at first, angry and upset and grieving, unable to see it as anything more than the shell of the house he'd loved--but Alex reminded him, again and again, that it was a chance to make it new. A blank slate, not a void; a place they could turn into their own, rather than living among the ruins of four generations of Arlingtons past.
It's been slow going, but they've done well on that front so far.
"We usually eat at the table in the breakfast nook, anyway, just off the kitchen." He pauses, knowing exactly how ridiculous what he's about to say is going to sound, even if it is true. "Where you're standing is actually the formal dining room."
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"Oh, my god, the formal dining room," he echoes, affecting an especially dramatic tone. "So the nook is, like, the informal dining room?"
He turns the lights off and looks at the sketched out map of the house Daniel had drawn, trying to figure out the next room to go to.
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"To actually answer your question, you're right. I really only remember the formal dining room being used for holidays and things. Sometimes dinner, when my parents drove in from the city, but otherwise it was meals in the kitchen."
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"But to answer your question, I'm pretty sure we'll just keep that room for...entertaining, largely. Holidays, yes, but lower-key dinners with friends as well, things like that. So, like it was before but with slightly less baggage, one can hope."
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The next room on their list is upstairs, far enough that Darlington starts the process of swapping out the fuse now, rather than wait for Caleb to make the trek up the stairs and down the hall.
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In truth, there had never been bats. A family of raccoons, once, but never bats. Snapping the new fuse in, he flicks the switch back. "Let me know when you've gotten to the library."
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Darlington keeps an eye on the fusebox, listening for any pop or crackle of something amiss. When nothing comes, he turns his attention back to the phone. "How's it looking up there?"
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He means it all, grateful for the possibility of Newt's assistance, but Darlington's still glad there's enough space between him and Caleb in that moment to obscure the surge of distaste he always feels just at the thought of Kavinsky--no matter how vague and disconnected.
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He doubts Alex has the same qualms, practical and slightly mercenary as she can be.